A New Choreography of Liminal Grace in AI Art
In a digital realm tuned to breath and balance, Oksana Tsepenok (@ai_sana_create), based near Seattle, USA, shapes dreamlike studies where movement turns into meaning. Whether entwining dancers with floating jellyfish or poising bodies on chrome creatures, her images feel like rites of becoming, quiet and intense. She pairs precision with tenderness, ceremony with play. Always. Each of her pieces—“Between Light and the Illusion,” “Grace in the Threshold,” and “Leap Toward the Sublime”—is a suspended moment dressed in luminous calm. At a time when AI becomes mere surface, Oksana uses it to translate sensation into story. Tenderly.“I choreograph attention—so softness can be brave and stillness can speak louder than spectacle itself.”

Oksana Tsepenok
Dancers, Jellyfish, and Thresholds: The Poetics of Becoming
In “Between Light and the Illusion,” performers rise among bioluminescent medusae, their limbs casting shadows like calligraphy across air. Gravity loosens; time slows; a private courage unfurls. The piece asks whether grace is flight or return, and whether wonder is something remembered more than seen. We breathe slower here. “Grace in the Threshold” tilts toward ritual. Chrome-toned creatures become pedestals; leather, water, and light converse. A body holds stillness like music, accepting that poise can protest and tenderness can refuse collapse. Poise persists. And in “Leap Toward the Sublime,” the crossing is less escape than homecoming. Muscle becomes memory, and air becomes invitation. The image keeps the secret that bravery can be quiet—a whisper strong enough to lift a life again. The threshold listens back.
Oksana Tsepenok
Oksana Tsepenok – Building Liminal Worlds from Motion and Light
Oksana’s work draws strength from symbolism embodied. She doesn’t decorate the body; she composes meaning through it. Each texture, rhythm, and pause is arranged to evoke empathy, reflection, and a spacious attention where wonder begins anew. Gently. With tactile training and an intuitive approach to image-making, her step into AI felt like remembering, not departure. Craft meets sensation; timing meets trust. By staging bodies in luminous thresholds, she turns generative systems into mirrors for identity—universal yet personal, resolve and release sharing one breath. The frame listens first carefully.contact us
02
SUBSCRIBE TO WOW WORLD

Stay ahead with insights, stories, and inspiration from the global creative frontier. WOW WORLD isn’t just a magazine, it’s a movement. Exclusive features, behind-the-scenes access, and updates from visionary artists and designers. Be part of the future of creativity. Join now.
latest posts
01
Read More!

InterGalatica Worlds by Frederico Serra
Step into InterGalatica Worlds, where Frederico Serra bends light, time, and perception into cinematic landscapes. From floating gardens to mysterious…

Frequency of Being by Cristina Dinea Papp
Cristina Dinea Papp transforms painting into resonance, creating AI-assisted works that vibrate with light, color, and invisible frequencies. Frequency of…

Verticalised Grounds: Memory, Matter, and Myth
Spotlight on Issue #9 of WOW WORLD Magazine In WOW WORLD Magazine Issue #9, Verticalised Grounds, we descend into the…