A New Era of Coded Beauty in AI Art
In a synthetic world where chrome meets emotion, Philipp Fenner (@botbrainery_aistorm), based in Zurich, Switzerland, creates fashion-forward portraits that transcend aesthetic trends. With orchids blooming on digital skin and graffiti etched into chrome features, his works aren’t just images—they’re coded declarations of posthuman identity. Through series like Fluid Couture, Graffiti Skin, and Synthetic Garden of Self, Philipp explores the blurred boundary between human and machine, real and constructed, softness and resistance. His visual lexicon doesn’t imitate life—it reconstructs it. By layering symbolism, gloss, and raw expression, Philipp turns AI into a tool for rethinking beauty, gender, and the self in the digital age.“The body becomes a symbol—a fluid interface between defiance and vulnerability, power and play”
Chrome, Chains, and Florals: A New Iconography of Transformation
In Fluid Couture, a hyperreal muse rises under electric skies. Her face is both floral and mechanical, her gaze both distant and divine. Gold chains cascade down her neck like a new kind of armor, while botanical textures coil around her like coded emotions. This isn’t decoration—it’s design as declaration. Philipp redefines beauty as something that blooms from duality. Graffiti Skin takes a bolder turn. Black lines, bald heads, and chrome contours slice through conventional identity. Glossed lips and inked motifs tell a visual poem of rebellion, culture, and futuristic defiance. Each portrait in the series positions the face as a fluid canvas, where identity is not fixed, but performed. Then comes Synthetic Garden of Self. A celestial figure emerges from a bouquet of iridescent orchids, draped in light and emotion. Her skin glows with memory; her stillness radiates purpose. This is not nature—but it is natural. In Philipp’s world, synthetic beauty is no less soulful.
Philipp Fenner Rewriting Identity Through Posthuman Beauty
Philipp’s work thrives on contradiction. Drawing from his background in music, photography, and design, he merges editorial style with raw emotional presence. His subjects—gender-fluid, mythic, and magnified—challenge viewers to consider beauty as an evolving algorithm of feeling and form. His journey with MidJourney V6 and AI tools isn’t about perfection—it’s about expression. Through curated distortion, subtle imperfection, and fluid symmetry, he carves a space where beauty can be surreal, distorted, and true. With international publications and a growing digital audience, Philipp is shaping a genre where emotion is the medium and transformation is the message.contact us
02
Be the Next
Story We Tell.
At WOW WORLD
We spotlight visionaries who use AI to reshape creativity, emotion, and culture. Just like many artists featured in our past issues, they prove that when technology meets imagination, storytelling knows no limits.
👉 Do you have a project that turns emotion into innovation?
👉 Want to join a global conversation redefining the future of design?
📖 Submit your work and be featured in the next WOW WORLD issue.
🎨 Inspire the next generation.
latest posts
01
Read More!
Letters to Medusae by Arturo del Razo Montiel
Arturo del Razo Montiel (@artu_nreal), based in Italy, composes computational architectures that feel like participatory ceremonies rather than static objects.…
Between Light and the Illusion by Oksana Tsepenok
In a digital realm tuned to breath and balance, Oksana Tsepenok (@ai_sana_create), based near Seattle, USA, shapes dreamlike studies where…
Rewritten in Cloth by Helen Breznik
A New Grammar of Fabric Architecture in AI Art In a digital realm of texture and line, Helen Breznik (@helenbreznik),…
